Christopher

The frame is a large circular steel ring, wider, heavier, and more commanding than its companion piece, its warm copper-bronze oxidised surface the genuine result of real metal meeting real air over real time. From a salvaged industrial hook and chain at its crown, the ring hangs level and true, its inner pipe arms sweeping in broad, generous curves from the central drop column outward to the perimeter, their wave-like form giving the chandelier a sense of movement even in stillness, as though the arms are mid-reach rather than fixed.

Around the ring, ten individual light heads are distributed with deliberate spacing, each a hand-formed wire cage housing an exposed filament bulb, each hanging at its own subtle angle, the collective glow producing a warm, encircling flood of amber light that fills a room from above rather than directing at it. Ten separate sources of warmth, arranged in a circle, unified by a single ring of salvaged steel.

Seen from below — the truest view of any chandelier — it reads as something between a wheel, a wreath, and a constellation: industrial in its materials, elemental in its form, warm in its light. It asks nothing of the room below it except a ceiling high enough to hold it and a space wide enough to deserve it.

This is the collection's largest and most ambitious ceiling piece, built once, from reclaimed materials, in a scale that transforms a room rather than merely decorating it.

Details:

• Ten independent light heads — wire cage shades, exposed Edison-style filament bulbs

• Large circular salvaged steel ring frame — warm copper-bronze oxidised patina

• Reclaimed inner pipe arms — broad sweeping curves, hand-bent and assembled

• Industrial chain suspension — with salvaged hook

• Scale: suited to open-plan living, large dining rooms, hospitality spaces, double-height ceilings

• Companion piece: The Cage Chandelier — Small also available

• Dimension — 150 x 150 x 70

Ten flames in one reclaimed ring, the collection's most generous source of light.